Issue # 3 May/June Edition 2021
Welcome to the World of
Literature and the Arts.
Our online magazine publishes an eclectic blending of prose, poetry, short stories, and other works, (visual art, photography, special features of authors and their books), by both established as well as emerging writers and artists. We will periodically be featuring guest writers with interviews, and occasionally, a review and translation. We have also decided, even though we are fairly new, to make the transition from quarterly to monthly, which shall be published online, only.
"Always be a poet, even in prose."
Charles Baudelaire (1821-1867)
French poet, art critic and essayist.
When life was tormented, then man is cripple
I spread my wimped arms, temples, in seclusion
But I was betrayed by my own hands
Life is caught in drastic-heated shackles and chains, gruel
Air of beatitude was also closed for me
I sighed in grief and did not get any need
Moving sound of a snake I heard at late night
I often had shortness of breath
I was thirsty for a drop of water
I tried hard, but my body was frozen
Walls of my room heard the sound of shivering
Beloved called me, once, twice and thrice
But I was reined like a rover horse
Why do I have such delicate and gentle emotions?
On small and purportless talks I reach the edge of end
Now if my beloved will hold my hands
Maybe life will pass in a few goodly moments.
© Shahid Fayaz Saqi
"Life has been your art. You have set yourself to music.
Your days are your sonnets."
Oscar Wilde (1854 - 1900)
Irish playwright and poet.
"Ponder upon the meaning of poems rather than
marveling at the beauty of words."
© Author Haroon Rashid, of "We Fell Asleep in One
World and Woke Up in Another."
When creativity is utilized, it sparks the muse within us, whether through writing or visual arts, discovered or undiscovered, by chance or through a profound experience. Our goals for ILA is to spark that creativity, to encourage, support and publish work
of writers and artists along their journeys of self-expression, whether through a voice, a pen or a brush, and by providing a harmonizing, comfortable environment.
Creativity through Literature and the Arts is most beneficial to the inner senses and well-being from within. Each unique individual has a stronger sense of themselves and when you allow creativity to flow, whether it be through the various genres of literature and art, it is that impulse of that moment in time where a connection brings together, heart, mind and soul.
We want to publish cultural diversity of literature and the arts with both established and emerging artists and writers, who have a brush yet to be used or a voice yet to be heard, with perhaps a deeper understanding of values, such as humanity, peace and freedom of speech. Our goal is to broaden the horizons of many, to be a catalyst of guidance, to help boost confidence in people with a voice and who are just beginning their journeys, and for the silent voices who are just starting out on their adventures of artistic expression.
We are supportive of writers and artists with aspirations and goals. We welcome voices of diverse individuals from different backgrounds, religions, ethnicities, cultures, societies, with utmost respect and love.
ILA is a non-profit magazine, devoted to the world of Literature and the Arts and it is here, we hope to provide a platform, internationally. We want to hear the silent voices, to celebrate the colorful aspects of your creativity, the chance to be read and recognized, to offer a sense of belonging, a deeply rooted feeling as if you've always been here and never left.
We support all writers and artists who aspire to publish their work and share their artistic expression with both our E-Magazine, as well as our Facebook Groups, (ILA Magazine Group) and (Kashmir Writer's Guild). Here, we feature Poetry/Prose, Editor's Choice, Short Stories, Special features of writers, recent Book Publications, Visual Arts/Photography, Blog Articles, an occasional review, interview and translations.
We will be transitioning from publishing quarterly to monthly in the near future.
ILA Editorial Staff.
For Issue # 3, we are featuring Author and prize-winning poet, Ken Allan Dronsfield with two of his poems, "Rusty Wet Leaves" and "The May Queen", both are specialized Sonnets. "Rusty Wet Leaves" is a 'Terza Rima Sonnet' and "The May Queen" is a 'Hexa Sonnet'. Included in this feature is a Bio of the Author as well as photograph of his Books.
RUSTY WET LEAVES
Boots of black on an oak stump, wet by the rains
a forgotten remembrance left long ago
woodpeckers tapping on a birch by the lanes.
Moss-covered granite whispers of sun and snow
deer spooked, disappear into the fern and pine
partridge drum in harmony first fast then slow.
A small woodland fairy dances so divine
the pathways are covered in rusty wet leaves
the gentle winds now calm along the coastline.
Hearing calls of faraway geese I believe
echo throughout the distant valley's and hills
peaceful surrender unto spring I so grieve.
Walking through the town by the old paper mills;
the old ways just memories while time stands still.
© Ken Allan Dronsfield
THE MAY QUEEN
As I lie between the blades of green grass;
with a wave of your hand, you took me there.
a smile in your eyes, sunshine in your hair.
I'm climbing high through the mountain crevasse
seeing stars so bright, like crystalline glass
on a dream carpet we fly through the air.
As the full moon rises, I touch your hand;
you stare off into the dark azure sky.
Tears began to fall as you start to cry;
the carpet then fell to earth and did land;
we toppled to the beach on the warm sand;
you slowly turned away saying goodbye.
Sunrise rose over the tropical scene;
I wish to again dream of the May Queen.
© Ken Allan Dronsfield
Ken Allan Dronsfield is a disabled veteran and prize-winning poet from New Hampshire, now residing in Oklahoma. He graduated from the Community College of the Air Force.
He has six poetry collections to date: 'The Cellaring', 'A Taint of Pity', 'Zephyr's Whisper', 'The Cellaring, Second Edition', 'Sonnets and Scribbles', and his latest collaborative book,
'Inamorata at Twilight'.
Ken has been nominated three times for the Pushcart Prize and six times for Best of the Net. He won First Prize for the 2018 and 2019, Realistic Poetry International Nature Poetry Contests. He has recently begun producing Creative Content on his YouTube channel, and
has had wonderful success sharing his poetry with the social media community.
Ken loves writing, thunderstorms and spending time with his cats, Willa and Yumpy.
Ken's YouTube Channel: Ken Allan Dronsfield, A POETIC VOICE
Poetry and Prose
LOVE IN THE TEMPLE
Behold, O'Temple Rose...
This is the old temple,
Where once we loved.
Do you remember...?
The caresses, "O! Beloved."
The spring, the wind,
The fragrance of marigold,
Golden shower and the rose,
Standing along manifold.
Coo of the Cuckoos and,
how did the peacocks cocked...
Do you remember...?
Whilst your whispered.
Those sweetheart songs
in my ears like a pheasant band.
Heartiest emotions of my love,
Your hands in my hand..
I couldn't speak,
even a word.
My heart became a beat...
You lived it longer than did I,
You did my - - self adore,
aren't these steps
on which way you ran,
to be chased,
to be caught in embrace,
those beds of flowers,
and the figs,
the color of your eyes...
Do you remember...?
The luminous moments,
when you await restlessly,
behind the temple gate.
Do you remember?
© SAADAT ALI KHAN NOHANI
Image courtesy of Wix
AT THE VERY EDGE OF COURAGE
Develop the daring of a lion
and the intrepidity of an adventurer.
Create a reservoir of mettle and pluck.
Increase fortitude as you preserve
through the murkiest dark along
any highway of people.
For who else should you depend on when things
How will you record your own history,
even as you walk into the present,
still unknown at that moment?
Run or be run over?
We must speak of the third option:
stand strong and carry as much as you can
and lay out your energies for others' sake.
Do all this while attaining your own ideal,
for the worst of humanity does not understand
that one must make a difference in a good way,
and the best are too busy loving others to judge.
© LINDA IMBLER
Image courtesy of Wix
A TREE GROWS IN BROOKLYN, OUR FIRST BOOK CLUB (For Mom)
I found this book when I turned nine
sunburned...pool-wet...is how I came across it
for the very first time.
I was quoting whole passages from memory at ten
loving that sad, little family...
reading over and over...again and again.
Francie was sweet...a girl of my age...like
no one I knew
so much more than a character on a page.
She was a latch-key child before the term was
no warm winter coat for the 12 block
trip from school to home.
Her daddy was an immigrant...from Ireland
His loves were song and liquor...his once lovely wife...
and tucking his precious girl into bed.
Francie would hear him coming...
his unmistakable baritone charming porch
sitters and well-wishers
on his nightly walk home.
I love this book...mourn the loss of that precious paperback,
found on a bookshelf in our home...
on that hot, summer afternoon...so many years ago.
I sat next to a curling vine of ivy...
variegated...a healthy green
just waiting for me to find and
devour...dwell within 200 pages
transported to Brooklyn and Francie's home
a ticking clock marked the hours.
Did my mom read it first?
Did she place it there for me to find?
Does she recall our solemn discussions
about Francie...her Irish immigrant waiter
father...his accented crooning
made her bairn's heart leap and skip a beat
every time she heard his drunken plaintive
coming down the street.
We spoke for days of Francine's ma...old
before her time...energy-drained...exhausted
body and soul...
no twinkle left in her violet eyes,
an ancient love for her Johnny in a
language of resigned sighs.
She scrubbed the floors of rich women,
until glossed, gleaming, and shining,
hurried home to her precious girl.
That nighttime walk was when she did her
She worried about leaving her daughter
alone each and every night
the times when Johnny stopped in for a
brew or two,
Francie ate cold meals and had no milk to
help her grow.
Her mother was pretty once, herself,
soft, curling locks of chestnut and red.
Her mostly drunken husband was once
a charming lad,
his baritone once made her own heart
sing, still deep within, heart bells still ring.
I recall those times with a fondness I carry within
pray that mom still can
our first hundreds shared...it was the moment
Our First Book Club...
Always with remembered joy!
© JILL SHARON KIMMELMAN
Jill's poem is based on the characters of the Autobiographical novel, 'A Tree Grows in Brooklyn', (originally published by Harper & Brothers in 1943), and written by Betty Smith.
The kiss speaks
You are both in silence
and what words are they said
after her words.
The kiss lost its way
and guided when found you.
Kiss is sun ray.
and at night, moonlight
illuminates the windows of love.
The kiss is fire
and do not burn
so, go ahead
it does not count from the age
long or short.
© Mohammad Helmi ELsallab
Mohammad Helmi ELsallab
I linger solitary,
to taste one kiss of the evening breeze,
and feel the freshness of dew descending.
Blooms gather their tendrils in knots of beauty,
hang their clusters in loving profusion;
Faithfully renewing their perfumed petals
and honey-sweet pendants,
in the hope of autumn.
© Val Smit
'Of Lost Love', © 2020 Artwork by Val Smit
Bio of Artist/Poet, Val Smit:
NATIVE I AM, COCOPA
Now once-great events fading
into seamless history,
I am a mother, proud
my native numbers are few.
In my heart, digs many memories
forty-one relatives left in 1937.
Decay is all left of their bones,
I pinch my dark skin.
I dig earthworms,
farm dirt from my fingertips
Baja and Southwestern California,
its soil and sand wedged between spaced teeth.
I see the dancing prayers of many gods.
I am Cocopa, a remnant of the Human family.
I extend my mouth into forest fires,
Colorado rivers, trout-filled mountain streams.
I survive on corn, melons and pumpkins,
I still dance in grass skirts
drink a hint of red Sonora wine.
I am a mother, proud
I am parchment from animal earth.
© Michael Lee Johnson
Michael Lee Johnson's website links to his past books and
226 Poetry Videos are now on YouTube:
Editor-in-Chief of poetry anthology, "Moonlight Dreamers of Yellow Haze"
Editor-in-Chief of poetry anthology, "Dandelion in a Vase of Roses"
Editor-in-Chief of "Warrior with Wings: The Best Contemporary Poetry"
Member of Illinois State Poetry Society:
NOTE: This is the story poem of the Cocopah Indian tribe and their journey over
the years. 'The River People descended from the greater Human-speaking area,
which occupied lands along the Colorado River, and the Cocopa Indian Tribe had
no written language. However, historical records have been passed on orally and by
The catch up is over
the talk filtered out
nothing left to say
we both know it won't work out.
Just one last slow dance,
one last intimate embrace
love still tugging at heartstrings
as the pulses, they race.
the love will last forever
as first loves always do
but we aren't getting anywhere
this thing that's me and you.
The song comes to a climax,
we kiss our last kiss to say goodbye.
This love is a love I know
I will cherish forever
as I walk away with a tear in my eye.
© Donna McCabe
A TINY DROP OF FEAR
I saw faces
laughing and smiling
joking around and being real
nothing seemed made up.
The widest spread lips
carrying the brightest of all smiles
and shiniest of all faces
making their fellows laugh
and wheezing along.
But eyes said it all.
They always betray
with every smile emerging
appears a tiny droplet
in the corner of eyes,
that waits to fall off.
But hands wipe them away
or brain pulls it back
pretending it never existed.
And it falls on the heart
adding to the river of grief
that flows through the cracks
of the torn apart flesh.
and the face continues being real
like no one saw what happened.
But I did.
I saw every little detail
of that droplet
composed of memories
and sighs and regrets.
The ifs and buts,
the question and exclamation marks
till one droplet of that kind
fell off my eye, too,
rolling down the cheek.
It burnt the skin
and stole my smile,
giving me reason
why the laughing faces
never let their droplets fall off.
It snatches the smile away.
© Fatima Zafar
LEAVING TO LIRA
Unknown wise men foretold me
leaving to Lira in beautiful dreams
through lights of celestial jewels
randomly spaced through the universe.
Blessed with a magic word,
a cosmic twinkle awake in me,
lit up and sparked my imagination.
The gorgeous North Star
ardently counts down for a departure
Flocks of phoenixes followed me,
bringing to light to hidden corners of
in the eye of a female initiator of light.
Passion flared like fire
in maidenly eyes
Somebody put off Diogenes' candle
I was blinded and could not see a man
Someone faked a dream.
Nothing is violet.
© Ibrahim Honjo
LOTUS MYSTIC FLOWER (Part One)
Being a lotus
Blooming in pure divine state
Coming out of mud.
Fidelity perfect bliss
A marriage for life.
Life and rebirth's origin
Deep mystic meanings.
Defy worldly temptation
Seeking for wisdom.
A poetic bliss
An artist's inspiration
Brings love and passion.
The purple lotus
A spiritual eightfold path
Just like the lotus
we can rise out of darkness
from mud to glory.
© Stella Theresa Luna
Pearl of the Orient Skies
Also called sacred lotus in India and colloquially called water lily, the Lotus Flower grows in the deep mud, far away from the sun. But, sooner or later,
the Lotus reaches the light, becoming the most beautiful flower, ever. The Lotus
flower is regarded in many different cultures, especially in eastern religions,
as a symbol of purity, enlightenment, self-regeneration and rebirth.
SEEKING THE LOTUS PATH (Part Two)
Cold splash of dewdrops
Sitting on lotus petals
A pink tingling glow.
Ripples of water
Innocence borne out of mud
A lotus chasteness.
Coquette petals -
Blossoming from purity
First sign of springtime.
The sun is six cm
Fragrance above the water
Stem rising to heights.
A knowledge divine
Sarasvati's white saree
Clothed in pure bloom.
A Bearer of Light
Lotus rise from dark waters
Purity in mud
Bowing in nobility
A season of hope.
Awakened at dawn
Lotus opens in the sun
A Nirvana bliss.
Faith has brought me far
I've traveled to the deep north
In search of your love.
© Stella Theresa Luna
I AM A SINGLE WOMAN
Why is 'man's world' meted out to me so unfairly?
Is it because I'm vulnerable, I'm a woman or I'm single?
Why these dark, staunch, cutting
That slash my soul when I start to mingle?
No, I'm not winkling coquettishly, nor am I
Trying to flirt,
I just want a sensitive companion to whom
I can talk,
As I enquire not into gossip nor lurid affairs,
But of a mind enriched with literature after
A healthy walk.
For yes, like a diamond, I sparkle...
I have no desire to elicit for myself, pity or attention,
But being single, I am grateful for a roof,
Clothes and food.
No time to worry about the riches'
Nor beat myself up for being a woman,
Crass and crude.
I am the golden gender of the disgruntled and distraught,
The middle class women who accrue less wages,
But yet break their backs for laborious work done,
I'm grateful that as a writer,
I just have to fill history's pages!
For yes, like a diamond, I sparkle...
Being a single woman, I evolved into one
To be astute enough to make transactions
With taxes and bills,
For a single woman cannot borrow money
For society could banish her beyond
Civilization's mighty hills.
Single woman, like me,
Should strike a chord of independence,
And the necessity of knowing one's physical
And emotional health,
For which schedules of diet and exercise
Should be in place,
Making me a staunch survivor - not a pursuer
Of bland wealth.
For yes, like a diamond, I sparkle...
As a single woman, I know I must be
The complete package,
By facing inevitable loneliness and frustration
By prayers to God,
And thereby eliminate fear-entrenched
And instead try to follow the footsteps
Mother Teresa trod.
Every step I take is scrutinized,
My life an open book,
I endeavor to be a "woman of substance"
For my every anxiety or stress factor is
Maybe the only things comprehensible
Are my heartfelt tears.
Yes, for though we suffer, we singletons
But we want a Harry and to be wooed,
Like Meghan Markle!
© HEERA NAWAZ
THE LAMENTS OF TITHONUS
Tonight, my grandmother took no food.
Occasionally, after a quarrel, with my mother,
she used to pour her food down on the floor
though she might scoop up one or two morsels.
It is said that a person weighed down with age
tends to give in to childish propensities
and become irascible and stubborn in nature,
not trusting anybody or anything.
for my self-exiled grandmother,
I feel a compassion.
That is but natural as I have not yet aged too much.
My unfed grandmother weeps fitfully
til the late hours of the night
when the noise of her weeping, rouses me from sleep.
I too, start weeping, a Tithonus within.
Grandmother's laments, I am aware,
have been heard by everybody in the house
and also by some among the neighbors
but none could yet hear my laments,
not even I, myself.
© Rezauddin Stalin
Rezauddin Stalin is a well-known poet, born on 22nd of November in 1962,
in Jessore, Bangladesh. He has done his Bachelor's degree in Economics and an
MA in Political Science from Dhaka University. He is the former Deputy Director of
Nazrul Institute, where he was employed for 35 years. Stalin's poems have been translated
in most languages, the world over. He is also a well-known TV Anchor and media
personality in Bangladesh. Stalin is the founder and chairman of the Performing Art Center
and is also the Senior Editor of Magic Lonthon, a literary organization.
Rezauddin Stalin's total number of books total more than 100 now, and his Wikipedia link can be read below:
He has received many awards and accolades included are listed below:
Darjeeling Natto Chokhro Award India (1985), Bangla Academy (2006),
Michael Modhushudhan Dutta Award (2009), Shobho Shashi Award West Bengal (2011),
Toronto of California Award, USA (2012), Writer's Club Award, California USA (2012),
Badam Cultural Award, California USA (2012), City Ananda Alo Award (2015),
West Bengal, India, Centre Stage Barashat Award (2018), Journalist Association Award (2018),
and Silk Road Poet Laureate Award Xi'an China (2020).
Sacred Practices: Predicting the Predictable
India's Deadly Second Wave
It was the dawning of a nightmare
Waking up one day to the grim reality
Many were clueless of what struck bare
After the long, harsh lockdown remedies.
The night echoes a myriad of cries
Wild winds of suffocated voices flies
A vicious variant casting deathly - spells
Bounding cities as scores of them, fell.
What has struck sacred pilgrimages
Holding on to traditions and reverent places
A bountiful blessing abounding Ganga Goddess
Faith shall triumph over deadly pestilences.
River Ganges turned into cataclysmic tragedy
Ignoring sensibility over some astrology
A purification striking millions, perilously
A state of denial arising from religiosity.
A massive tsunami is fast descending
Super spreader events have pillaged the health system
Heroes weighed down, relentlessly pleading
Undertakers overwhelmed with bodies piling.
As the world looks at awe of India's crumbling
A humanitarian crisis is seeping globally
Hovering in a cloud of doom and misery
Did anyone see this coming?
Noone is ready for such a catastrophe.
You were once a wonder and mystery
Keeping infections at bay with practicality
I - v - mec -tin - was a promising remedy
A ray of hope for its safety and efficacy.
A hard lesson from letting your guard down
India has to get back to harsh lockdowns
Noone is spared from having a deadly wave
Countless bodies have piled, leading to their grave.
Let all the world learn from India's sad debacle
There is no certainty in treating this thing, blindly.
Let us come together humbly to seek a miracle
Wisdom and God's grace shall fall on humanity.
As we watch helplessly of our brother's sad demise
Falling one by one as the cases comes to its highs
Sending hope and comfort for the ones left behind
Prayers of healing and strength to keep them in mind.
The world should take a stand to stop this pandemic
Let those who seek death on the "deplorable", be
The first to be extinguished. They are the root of mankind's decimation, causing deaths,
fear and control, a New World Agenda diabolic.
PRAYER FOR INDIA:
God Bless our dear brothers and sisters.
Spare them oh God, from their distress.
Your hand is stretched seeking hearts in repentance
Deliver them from the evil one whose spirit has come
to kill and destroy with your mighty healing power
restore their hearts with joy.
"Oh India, I come to you, calling you by name.
Come seek Me, the True God Almighty and Sovereign
Who is able to give you, Life Eternal
My love is for All, and anyone who calls Upon My Name."
© Stella Theresa Luna 2021
NOTES FROM THE AUTHOR:
The Kumbh Mela in India, is as mesmerizing as it is spiritual.
The ancient northern Indian festival is a meeting of mystical minds. The largest religious gathering in the world, the Kumbh Mela
brings Hindu holy men together to discuss their faith and disseminate information about their religion. It's attended by millions of people each day.
In India, which is averaging more than 2,000 Covid-related fatalities and 300,000 new infections per day, understaffed hospitals are running out of beds for patients and pleading with government authorities for desperately - needed medical supplies, while crematoriums and graveyards are being overwhelmed.
Outside of a crematorium in Lucknow, bodies were being incinerated on sidewalks, according to the Associated Press report.
Not just a word,
Or not just a gender
To refer as
Is an embodiment of patience,
As a motherly affection,
As sisterly protection,
As a Better - half in sensation
As a Daughter-in-law attention
As a niece - concern
She is not weak as you surmise,
Man is free
As the woman took the reign of the family,
Not only confined to the usual
She paddled with the stars in the sky
She dives deep oceans to scale
She holds stun guns to immobilize the enemy
She is the powerhouse of the planet.
Just imagine the man without the woman
The existence of his and the life.
© Prasanna Kkumar
THE GOLDEN CHAPTER
I pull this book out,
when my loneliness gets too heavy.
Sometimes in daydreams.
Sometimes in night.
You see, I wonder what you might have been
if you were by my side?
A forever wish.
You were the one who saw right through me.
saw something "good",
when I myself saw nothing.
I had no idea I was only "existing" before,
and once again emptied...when you were gone.
Ah, but in between the pages, was what everyone
It's what the music is when the sound covers you
Why babies are born,
why miracles happen when there is only a string of
and the reason we are here in the first place.
One summer day you told me, "this is magic".
It really was.
But your fate was to leave this earth,
to leave me and my suddenly empty heart.
I call it my golden chapter
with scented pages of sun, freshly mowed grass, fresh
overripe corn that perfumed each step we took
talking about nothing.
You and me
and one faded red rose.
© Barbara Suen
Barbara Suen, is 56 and from Mishawaka, IN, USA. Her poems have been published nationally,
as well as globally, in magazines and anthologies. Her inspiration comes from the pain and the joys of life, spirituality, social issues, love, loss and nature. It is a huge part of her creative side
to reach out to others, and touch someone with her words, even if it's just one person on the
other side of the world. That's "magic".
the snow was falling and
the village road
frosted with sweet whiteness.
The plum trees,
the icicles were freezing.
The spring water had become a garden of ice,
the blue vase had been cracked.
The white beard man,
the snow landscape was catching his eye and
he was singing a winter chant.
and the admirable snowman with his soft arms
kept a fire burning
and figs were boiling in a pot.
The white smoke of the fireplaces
was rising up from the madhouse's chimneys and
the children had white dreams.
Shivering sparrows in cold
were cuddling together under the eaves
the snowflakes like butterfly,
were gently fluttering to the ground.
© Diyar Latif
Translator: Daliya Raouf
Diyar Latif came to life in 1989. He is a poet, journalist, writer, Peshmerga, as well as an
activist, and works in literary meetings. He is a resident at the Town of Kfri, in the Iraqi
Kurdistan region. The works in each of the (Plastic Land) books are poems. He has published a literary research book titled, 'Title and Text'. His last published book is in
partnership with a literary meeting titled, 'Modern Poetry and Some Margins'.
More blood than sane ink has been spilled,
Though we're born to play many different roles
Can resist tyranny, if one's strong-willed.
By hate, or greed, many've been killed,
So lonely, and tiny feels unique soul;
More blood than sane ink has been spilled.
Blind fear in man has been instilled,
Stingy are hours clocks grudgingly dole;
Can resist tyranny, if one's strong-willed.
Though insights are processed, get distilled,
Does blank remain part of our truth's scroll?
More blood than sane ink has been spilled.
Just slivers or our destiny get fulfilled.
Do all human races form part of a whole?
More blood than sane ink has been spilled,
Can resist tyranny, if one's strong-willed.
© Sultana Raza
in a rose-brushed sky. Bright green
flying within this languid
dusk washed by Carib wind.
That wind sweeps a tiled
patio, swaying the hammock
hung from post to gnarled
Totumo trunk. Fruit bats flit
amongst the elusive limbs.
Thin heat lightning flits
across the midnight heaven,
charcoal blue. A lone Gecko
chuckles in this cooled
dark barren of the half-moon.
© Lorraine Caputo
Image courtesy of Wix.com
Sleet splatters upon
Thawed earth, sharply splaying
The tender young shoots
Still-chilled rain falls on
Another spring weekend
Cooling last week's heat
The dew is thicker
The longer days muggy
Mud cracks like raku
Rose of Sharon
Heavier days combust
Into thunderstorms, sky
Sliced raw by lightning
The monsoon rains come
Beating dull autumn leaves
Into frosted earth.
© Lorraine Caputo
Lorraine Caputo is a documentary poet, translator and travel writer. Her works appear in over
250 journals in 6 continents and 14 collections of poetry - including 'On Galapagos Shores'
(Dancing Girl Press, 2019) and the upcoming 'Escape to the Sea' (Origami Poems Project, 2021).
She also authors travel narratives, articles and guidebooks.
In March 2011, the Parliamentary Poet Laureate of Canada honored her verse. Lorraine has done literary readings from Alaska to Patagonia. She travels through Latin America, listening to the voices of the Pueblos and Earth.
I WANT TO BE SON OF NATURE
I want to be the son of nature
For deep wounds, not going back to my doctor.
This doctor, putted the outside of my worldview.
I have to respect him.
I should run away of him and search for my soul.
I want to rise up to the same tree, but for shadow
Like roots, put myself inside ground
For steaming smell of soil around
Not working, fog in mountain with "Shimshal"* melody, not be a mixture of cloud.
What's a profit of wind? If he's not boring, dance inside my eyes.
Don't put Leaves drunkenness on the path of rivers.
But wind, is a traditional musical instrument
God, playing our words
And put it on a melody line.
Wind born on a burp of air
Instead smell, he was busy with buzzing
He ran behind the soil,
Hanged himself with a claw: for the love of steam.
Before we came, was busy pairing.
He brought three girls into the world: snow, hail and rain.
Rain, so softly umbrellaed:
Stone liked to melt underneath it.
Until the human came to the world:
Learn from it and avoid cruelty.
When he saw the hail,
He's more far away from the soul.
But snow, with all this softness
He can't calm down our stupidity.
I want to be the son of nature.
When I was blind, put a drop of rain inside my eyes.
When I was injured, wrap my wounds with leaves.
When my hand is broken, grafting a stick of a tree from me,
So that my writing can be re-greening.
When my hair is falling, plant a mint on my head,
So that instead of sweat, it will spread, smell good.
When my hearing deafens, take me to the sea,
Put two seashells for me, and at least, it will move waves to me.
So that I will not be the son of nature,
When the basil goes back to the mint tribe.
Mentha pulegium, who anyone doesn't eat freshly,
When he gets old, his height will rise as old man,
Drying same old "Mentha pulegium".
Come on, let's be in nature, spreading peace!
© Written by PESHAWA KAKAYI
Qaladze, Kurdistan Region of Iraq
Translated to English by Dlovan Ali
*Shimshal: A Kurdish cultural musical instrument. Type of a Flute.
Peshawa Kakayi, was born on April 19, 1984, in Qaladze, Kurdistan region of Iraq.
He graduated from the Political Science Department of the University of Sulaimaniyah.
He writes in many literary appendixes in Kurdistan. He has published eight books of poetry, written in Kurdish.
* 'Residue of Breaths: Poetry Collection', © 2008
* 'I am, I Guard Flowers, Poems' © 2011
* 'Garden - Your Love Poetry', © 2015
* 'From the House of Aunt Khunche, I Went to Saeed's Son-in-law' Open text © 2017
* 'American Letter with the Taste of Poetry', Poetry, Prose, Narration © 2018
* 'Cosmology', Poetry © 2019
* 'Rebuilding the Light on the Return of Zoroastrian i Ahmed Mala'. Investigation © 2020
Even if it is different,
the sun that people miss
Of the aid,
of the smile,
it's where beauty lives
friendship, fraternity of words
tolerance, solidarity are the thoughts
It's where children play.
It's where children go to school.
It's where the sun rises.
© Turkan Ergor
Turkan Ergor, sociologist, philosopher, writer, poet, columnist, was born on 19 March 1975, in Canakkale, Turkey. She is from the city of Izmir, Turkey. She graduated with degrees from the Department of Sociology, Philosophy, Business Management and Home Management.
She has won many awards and accolades around the world from various institutions and organizations. She is a role model for many of her writer friends and a prominent writer penning her articles and poems effectively on life and the environment.
Turkan Ergor is the author for bilingual poetry books, "RING-YUZUK", and "WORDS-KELIMELER", garnering fame for its profound poetry related to life and the environment. Her poems have been translated and published in different languages. She was named 'International Best Author/Writer in 2021 and Best Poet 2021. Her biography, articles and poems have been published in various newspapers, magazines, encyclopedias and anthologies.
I'M A CRAZY LOVEBIRD
When my body is set aflame
By the growing pangs of love bouts,
I feel crazy and lost
In the wilderness of a dreamworld,
Smelling with unique fragrance of love potion,
Benumbing my senses beyond measure.
I'm yearning to meet my beau,
And to feel the warmth of his innocent love;
I long to melt down in his arms,
And to inhale his breath deep down
To quench the thirst of my parched soul.
I'm in readiness to taste the nectar
Of love oozing from his pair of lips;
I want to drink this peerless honey,
Beyond the borders of time and space.
Let this love flame burn my body,
Till I turn into ashes for some time;
But I will rise again in other forms,
As a bard singing ballads of love,
Which will ring in the air till eternity.
© Rakesh Chandra
"Irfan: The Martyr from Sopore"
Tonight, I write for the martyr
who was brutally slaughtered
and for the oppressed
who must have been blessed
in the Heaven
by the sacred mavens.
After the marvelous reception,
He might have asked God the question:
"Why in my land, is missing your reflection,
Why don't you see the perfidy, the deception
of your people against us
to make our lives a miserable fuss?"
I wonder how would've God responded
to keep the martyr's faith bonded
in the circumstances grim.
HE probably would have said,
as HIS Eyes bled:
Don't be sad!
I've been testing you,
and those molesting you,
and those protesting you
and those detesting you.
Soon, the test will be over
The tyrants shall pay for their maneuver!"
© Summiaya Nilofer Kichloo
Summiaya Nilofer Kichloo is a student from Kishtwar district of Chenab valley. She is an avid writer and enthusiastic to writing poetry and fiction. Her poetry covers a broad range of ideas, thoughts and philosophies. Currently, she is working as a freelance writer and columnist.
THE PEACE OF ANGELS
I will release to recieve
the peace of angels.
I will count the changes
as realizations, tip over
the radicalized, and be singular
in my transcendence.
Purpose is a translation. Within
are experiences discarded
or validated by memories
Floating or being summoned
are counterweights, dangerous to stand
but in the middle.
Loss is a hot vapor - burns as it first rises
and then, no more.
Love is everything - fills a moment
with the breath of eternity.
I will find the color that draws me
the closest and I will choose it.
I will release the rest, know this surrender
as an exhale, a baptism to witness
that splits the sky.
© Allison Grayhurst
'Sail of Memories' is an anthology of philosophical poetry, which includes metaphysical, themes based on nature, self-introspection,
political poetry and revolutionary verses. According to Author, Zakir Malik, "Writings dominate the sense of irresponsibility towards
the nation as a whole. And at time, when it's in making, in need of improvisation, filling the gaps within, lack of harmony among the
sects, thirsty of mutual understanding, inconsideration of brotherhood, and having deficiency of faithfulness, eventually resulting in
hoaxes, lack of vision, and untrustworthy behavior."
He added that since his early childhood, he felt it seriously needs to be repaired, rebuilt and set the doors all open for development.
While he then came up with a compilation of poetry, namely, 'The Wail of the Woods', which was published in 2019, laying a strong
impression, even at present time on his nerves, and new ideas started trickling from it, he still seeks inspiration from its strata and themes,
However, his new collection, 'Sail of Memories', continues the same philosophy in many ways, elaboration of deceit, hopelessness,
natural depiction and after-effects of colonization, on the other hand. Its content fills the reader's heart and mind with what's next and
how to overcome, Zakir said.
The author has kindly given ILA Magazine, permission to post a link of a recent news article, written by the Asian News Observer, regarding his new book, 'Sail of Memories.'
Asian News Observer: "Meet Zakir Malik: A youth from Kupwara who publishes his second anthology."
Zakir Malik's book is printed and published by Wular Publishing House, Wanpora, Kulgam
ABOUT THE AUTHOR/BIO:
Hailing from a small town, Trehgam, in the frontier district of Kupwara, in northern Kashmir, a young Kashmiri writer, Zakir Malik, recently published his new book, 'Sail of Memories' (Wular Publishing House).
In 2019, he published 'The Wail of the Woods'. He writes with the aim of bringing change in society through his poetry, targeting social evils and calling for transformation of society toward positive outcomes.
He is very enthusiastic about poetry and other condensed, precision-based technical writings. His interest moves from psychology, political science, to politics and Philosophy of Islam, peace and conflict studies.
Zakir Malik started his reflection of ideas, thoughts on paper, since his early childhood. Every verse of Zakir's poetry reflects his yearnings for adequate guidance to dilapidated youth, illustrating new tendencies to direct energies of thinking and practices to some innovative and decisive deck.
Zakir is a visionary, a poet of whom, we will hear in the future, of his ideas, far cultured and much wiser than his youth. An Ambassador of Peace, hankering for peace, reformation in society, fighting with words for social stratification, stereotypes and the social evils in particular, that still dominate mind-sets, halt the common welfare and focus on creamy layers in society. he inspires his audience by inducing them, a devotion of expertise, knowledge and Renaissance. he appears to be an inspiration with his vision, insights, depth in understanding the social psychology, and the practical philosophy, the demand of his time. His impressions delve deep on each layer of society, culture and encompass youth from all corners of the country, Kashmir in particular, for his words speak louder than his skeleton, tongue and personage. His progressive thinking differs him from the rest of contemporary poets from ends of the globe and places him right in front row of skill, ability and professionalism, in writing, capturing even the minute facets of catastrophe.
While being a son of a laborer, having no major resources in life, despite having done Post-Graduation in Political Science, he has brave the odds, by publishing his maiden poetry book titled, 'The Wail of the Woods' (2019) and most recently, 'Sail of Memories.'
Zakir is a poet, translator, editor, reviewer, writer, critic and social campaigner, as well as a motivational speaker. He has co-authored more than 10 poetry books. Apart from all of what has been mentioned, he is the founder of 'Kashmir Writer's Guild' and 'Valley of Poets.' He is the Editor-in-Chief for Insight Version and Kashmir Poetic Images as well as ILA Magazine. He has been honored as a Country Ambassador for LitLight Global Platform and he is also a Director for UNESCO to International Youth Development Model United Nations - India and a permanent member at Jammu and Kashmir Innovative Foundation for Transformation Society. He is a contributor to many periodicals, literary magazines, poetry foundations and journals.
Zakir Malik completed his post-graduation from Indra Ghandi National Open University and is hounding a PhD in Political Science.
For any inquiries, please contact Zakir, at: email@example.com
Synopsis of 'No Matter What...I will always Love you!':
A ordinary-turned-extraordinary tale about the magic of love...
From romantic escapes in the beaches of Goa, to witnessing the beautiful Manali sky lit up with fireworks on a Diwali night,
Rishi and Mishika's lives were like an exciting rollercoaster ride, every moment that they were together. But when Mishika
disappears on the morning of their engagement without leaving so much as a wisp of a trace behind, Rishi finds himself alone
and adrift in a dark sea of doubts and fears. Was this one of those pranks that Mishikia loved to pull on him to test his love for her?
Or had something happened to her?
Join Rishi as he tries to look for answers in an unforgiving world where holding on to even the slightest bit of hope is a daily struggle.
Will he ever find Mishika? Was she even alive? What unbelievable things would his love for her, make him do?
From the bestselling author of 'The Stupid Somebody', comes yet another gripping story that will make you laugh, cry and
will reaffirm your faith in the strength of love.
Rohit Dawesar is an author from Indore whose debut novel 'The Stupid Somebody', became a national bestseller
even before he signed a contract for his second book, 'NO MATTER WHAT...I will always love you!', which
was released on 5th January 2021. The book is already topping the ranking charts.
Popular for his Nanotales, short stories and one liners that he posts on his social media accounts and on his website,
Rohit started writing when he realized that the story he had in his mind, was a unique tale that needed to be told.
Now a full-time writer who creates magic with his words, he also owned a coaching institute for engineering and MBA
students at one point in time, was a director at Entrepreneurs Consulting Pvt. Ltd., and is also the co-founder and director
of a fast-food restaurant brand name, The Urban Gumti. He is a book lover and a movie and television series fanatic
who will hardly say 'No' to a cup of coffee, any time.
For any inquiries on his book(s), contact author, personally: Rohit Dawesar
"Bonny of Musings" consists of 70 poems portraying different moods
and personae. The book is divided into three groups, "Group A" contains poems of philosophical insight, "Group B" contains Feminist Poems and "Group C" contains Romantic and Tragic Poetry.
Sometimes here, the revolutionary voice strikes the characteristics of feminist poetry, sometimes, it's the warm feelings of a romantic heart tuning up the melody of love. Sometimes, it's an anguished voice, raising fingers against brutality of the patriarchal society and sometimes, profuse words unfurl the philosophy of life as well as the depths of thought.
Some of the poems in 'Bonny Musings', describe the beauty of nature, the philosophical insight, practical experiences and morals.
Different figures of speech, such as simile, metaphor, personification, hyperbole, onomatopoeia and idioms are appropriately applied in different poems and parable from the Holy Bible is also applied to some extent.
'When Heart Speaks in Silence', is the author's fourth (4th) poetry book, after 'Sonata of Dreams', 'Chandrajeeta' and 'Bonny Musings.'
Poems included in 'When Heart Speaks in Silence', carry the message of peace and humanity. Since life is not possible without love and affection, as it has been learnt in the womb of mother before taking birth, so some poems incorporated here, convey the feelings of love and affection. We are the victims of a patriarchal society where women are brutally deprived from their rights and freedoms and dominated with cruel hands. Some social customs stand like a barrier in front of women if they want to prevail the rights and freedoms provided by the Constitution. Without freedom of women, we can't imagine a peaceful society and can't define humanity I the true sense.
Some of the author's poems with feminine concepts, have also been included in this book. Most of the poems included here, have been published in various local, national and international magazines and anthologies.
"Porphyria's Lover" is one of the creepiest poems of Robert Browning.
From the point of view, it is about a psychotic murderer who strangles his beloved with her hair and spends the whole night sitting beside her corpse. The poem also explores the complete madness of the speaker,
but without offering any definitive answer as to his ultimate motivation.
'Porphyria's Lover' is full of surprises that ends with a kind of ambiguity. Many critics have harbored different views on the dark motive of Porphyria's lover, which could lead him to do such a demented activity, like murder.
After a keen observation, my point of view declares that Browning's, 'Porphyria's Lover' can rightly be categorized as an absurd poem as the narrator murders his beloved just to capture a particular period of time, when he discovers Porphyria in worshipping him. Porphyria is afraid of the barriers of aristocratic society, where she belongs to, and the narrator cuts off all the social barriers and makes her free by strangulation.
Is it possible for a normal person to strangle his beloved who has come to light up his life? Can a normal person choose the way which has been selected by the narrator to win Porphyria, forever? The narrator claims that Porphyria hasn't any pain, when he strangles her. Waiting for the judgement of God, talking with a corpse and kissing with passion claims his absurd mentality.
ABOUT THE AUTHOR:
Author Sabina Alia belongs to Assam, India. Since her schooling days, she has been writing
poetry, short stories, novels and articles, many of them having been published in various local,
national and international newspapers, magazines and anthologies. In her collegiate time, she published a novel, 'Nishar Ninad', in her native language, Assamese. She was awarded with the "Best Fiction Writer (Junior)" in all Assam-based fiction writing competition.
She worked as the sub-editor of "Kannan", a monthly Assamese magazine. She pursued an M.A. in English literature and a teacher by profession. Her poetry book, 'Sonata of Dreams', was published in March 2019, by BlueRose Publisher, Delhi. Her third book, 'Chandrajeeta', has been published by Spandan Prakash, Guwahati. She writes in Asomiya Khabar (Local newspaper) and Niyamiya Barba (Local newspaper).
Her English poems have been published in Assam Tribune (An English newspaper). Her poem, "Companionship", has been published in Poetry Planet Magazine (Philippines). The review of her poem, "Shelter", published in "Universul Culturii", an international magazine and reviewed by an Australian author and critic, Toni Lovric.
Sabina's article on Robert Browning's poem, "Porphyria's Lover", is a poetry absurdity, and has been published by Amazon KDP.
Sabina is the Editor of "Cultural Reverence", an International Magazine of Art and Literature. She was awarded with the "Kabya Prarona Award 2021, by All Assam Poet and Poetry Union.
In 2021, she was facilitated by the Assam Government for her huge contribution to the field of literature under 'Bhasha Guarav Achoni'.
"Sometimes it seems that my world is too small to share my happiness. Anyway, today has been counted amongst my memorable days as my 7th book, 'When Heart Speaks in Silence', having been published worldwide. Today, I have met the reward of one of my endeavors, otherwise, I am a great dreamer so dreams illuminate me with utmost attraction and being spellbound, I rush to touch it. At last, I just whisper...'The best reward for an artist is hidden behind the completeness of own creation."
26 April 2021
You can find the author's book, 'When Heart Speaks in Silence', listed below:
Robert Browning's Porphyria's Lover: Critical Analysis by Sabina Alia:
All other inquiries where you may be able to purchase her book, please contact the author at:
For those who find it difficult to read Bio in image, Safdar Bhatti is a published poet who has
been writing whole poetry since 1994. 'Philogyny' is the title of his book, published from UK. His verses have been commended by various dignitaries, including Queen Elizabeth, University of Manchester, Chief of the Air Staff, Pakistan Air Force, National University of Modern Languages Pakistan and many more individuals. He is also a member of The Poetry Society of London. He holds an M.A. in English Literature. A widely read scholar in almost all the major English poets from Langland and Chaucer to Thomas Hardy along with poets and tragedians of Ancient Greek and Rome. He lives in a small village called Marri in district Sargodha of Pakistan. Besides poetry, he is also working on short stories and verse plays.
He intends to publish his poetry in Urdu within a short time.
NIGHTFALL AND THE CUBAN TANGO
By STEVE CARR
In the Casa De La Danza, young women in hues of pink, orange, and green slinky satin dresses,
sit in a row of chairs along one wall. They look like different flavored shaved ices melting in the
heat of the ballroom. The blades of the ceiling fans whirls slowly about, circulating the warm air that is heavily scented with the perfumes, colognes, and sweat of the dancers. The girls fan their rouged
faces with bamboo fans. Impassionately, they watch the couples on the dance floor.
Mateo stands near the entrance, his hands in his pockets, a toothpick dangling from his lower lip.
Surreptitiously, he eyes Aymee who sits at the far end of the row of girls. While the other girls sit
with their knees touching, she has her legs crossed. Her foot wiggles, lazily keeping rhythm to the
music. the bright green comb she has inserted into her dark brown hair piled high on her head like a
mound of cascading chocolate is slightly askew. He has known her since they were children but hasn't
seen her in a long time. At that moment he wants her. He wants any woman. But not to dance with.
These girls, the ones in the Casa De La Danza waiting to be asked to dance, do only that. Dance.
His patience with the slowness of the night is frayed. Despite his athletic good looks, he is unable to
compete with the men on the dance floor who move their bodies in ways he is unable to do. He turns,
spits out the toothpick, and leaves the building. The recent downpour has left the air even more
humid than usual. The palm leaves on the tall trees droop as if oppressed by the rain, humidity, and
their inconsequential existence. The asphalt that covers the parking lot is coated with rainwater that
makes it shine like black gloss. The cars in the lot are all older model Russian-made Ladas, all with
excellent paint jobs in colors fit for an upscale whorehouse. His motorbike along with a dozen others
stand side-by-side at a rack, chained there like animals awaiting slaughter. The boys who ride them are
of the Cuban middle class, although technically a class system doesn't exist. His only consolation in
owning a motorbike is that it gets him where he wants to go. He can't afford anything but what he has.
He sweeps the water from the bike seat with his hand and unlocks the chain. He wraps the chain
around the handlebars, and gets on. There's a moment of anxiety before he turns the key. Will it start or not? His motorbike is like the women he dates, ill tempered and unpredictable. It sputters momentarily and then he drives off.
The streets of Havana are busy. Old cars, junk-heap pickup trucks and aging buses move slowly along the crowded thoroughfares where pedestrians seem impervious to the headlights that catch them in their beams and the honking of the horns that implores them to get out of the way. The white light that shines from the moon that is peeking out from behind diminishing storm clouds illuminates the brightly painted facades of the buildings. Graffiti is scrawled on every available surface. Little of it is political, which could get the artist arrested. Most of it is intended to be poetic.
Mateo turns onto a side street with the intention of taking the less busy back streets. Only two blocks inside the meandering tangle of streets, his motorbike is stopped, surrounded by four men.
Standing in front of the motorbike, gripping the handlebars is Diego. "Hey man, word has it you know a way that could get an amigo off this goddamn island if he wanted to go to America."
Mateo looks around at the men surrounding him, and then back to Diego. He only knows Diego.
He doesn't recognize the others. "Yeah, buy some oars and build a raft," he says. "Now, get outta
my way. Abuelita can't soak her feet unless I'm there to help her and you know how cranky old
women can get when they have sore feet."
Diego grabs Mateo by his shirtfront. "Listen cabron, I'm gonna be keeping my eye on you and if I see you getting ready to depart Cuba without taking me along, I'm gonna cut your throat." He lets go of Mateo's shirt and shoves him back on the seat.
Diego and the other men hastily turn and are quickly lost in the throngs of Cubans on the sidewalks.
Mateo puts his foot on the gas pedal and speeds on.
Mateo tears a piece of rind from the orange with his teeth and spits it on the floor. Around his chair
there are several pieces of orange rind and a banana peel. He bits into the pulp, slowly swallows it,
savoring the taste of juice dribbles down his chin. Doves perched on the wrought iron railing outside
the kitchen window fill the air with their coos. In the next room, his grandfather has the television turned up loud. A soap opera is on. The actors speak rapidly, in the heat of discussion about someone's unwanted child. Mateo tears another piece of orange peel from the fruit and spits it on the floor.
"Cerdo," his sister, Adoncia, calls him as she walks into the room and sees the mess on the floor.
"Oink, oink," he replies as he bites into the pulp.
She goes to the refrigerator and takes out a plate on which sits six eggs. "Diego came here last night looking for you while you were out.," she says. She places a frying pan on the stove and turns on the flame. "I told him you had gone dancing."
He wraps his hand around the orange, squeezing it. Choking it. "Why would you tell him that?"
"It's where you said you were going. You go dancing at the dance halls and clubs every Friday and Saturday night."
"I go to meet jevas, not to dance," he says.
She pours fat from a jar into the pan, waits for the fat to begin to sizzle, then cracks two eggs and drops them in the pan. "Anyway, Diego seemed in a rush to see you."
"He saw me. I saw him."
She pushes at the eggs with a spatula. "What did he want?"
"To see me," he says, rising from the chair. With his bare foot he brushes aside the debris he has left on the floor and leaves the kitchen. In the living room his abuela is rocking back and forth in the rocking chair Mateo made for her. Her favorite wool shawl is draped across her frail shoulders, although
the room is hot. Potted ferns and cactus are lined up on the windowsill that overlooks a noisy alleyway. He glances out the window to make sure his motorbike is still chained up just as he left it.
He goes to his grandmother and kisses her lightly on the forehead.
"You're a good boy, Mateo," she says as she affectionately pats his hand without looking away from the television.
He kneels down by the chair and looks up at her wrinkled face. "I will be going away soon," he says.
"Where is there to go? she says. "Where can anyone go?"
The actors in the soap opera are screaming at one another.
"There is a whole world beyond Cuba, Abuelita," he says. "I want to go to America."
"Be sure to wear a raincoat and make sure your sister wears hers," she says.
"Adoncia is such a good girl," she says.
Mateo stands, swats a fly buzzing around his head, and goes into the bathroom. He strips off
his boxers, steps into the shower, and turns on the cold water. Just like the water that comes out when
the hot water knob is turned, it's tepid. Hot or cold knob, what comes out is always the same. While
lost in thought, thinking about Aimee, and fully aroused, there is a sudden banging on the bathroom door. It's Adoncia. "Mateo, something is wrong with Abuelita," she screams.
Mateo's grandmother lays in the hospital bed blankly staring up at the ceiling. Mateo passes his hand in front of her face, but her eyes don't follow the movement. They follow nothing. There is no longer any life in her eyes, although her heart beats and she breathes. Tubes, monitors and IV's are connected to her body.
Adoncia is sitting at the bedside, holding her grandmother's hand, crying softly.
"How long will she live?" Mateo asks the doctor who stands at the foot of the bed making notes
in a chart.
The doctor looks up, as if startled from a dream. "It's hard to say. She has had a severe stroke.
If we keep her on life support, she could remain alive for a long time. There's no way to really
predict these things."
"My grandmother won't recover?" Adoncia says, not taking her eyes from her abuelita's face.
The doctor hesitates before saying, "At her age, it's unlikely, but miracles doe happen."
"And if she's taken off of life support?" Mateo says.
The doctor looks first at Mateo, and then at Adoncia who has her lips pressed against the back of her grandmother's hand. "Perhaps it's time you contact your priest."
The wet sand beneath Mateo's feet is cool and soggy. It oozes up between his toes but is washed away by the ebb and flow of the tide. In the early evening sky, seagulls perform a chaotic ballet accompanied by their screeching cries. They have been drawn to crabs scampering beneath the cover of mounds of sea foam that washes in and out with every wave. Mateo has rolled up his pant legs revealing his muscular calf muscles. Whenever he looks at them he is reminded of his lack of coordination when dancing. He once took lessons on how to dance the Cuban tango, but was told by
the instructor, "You should just concentrate on walking."
The wind blowing in from the Gulf of Mexico is warm and filled with salt that is invisible but clings to his skin. On the horizon, there are ships carrying large containers, heading for the open sea. Smaller vessels, many with white sails, ply the waters nearer to the coast. The sea craft of the Tropas Guardafronteras skim the waters, on constant lookout for anything that appears illegal. The bells of
buoys mix with the blaring of horns from the boats, the crashing waves, and the ruckus of the gulls.
Mateo came to the beach to think, but in the noise, he finds that hard to do. He turns to leave when he sees Aymee at a distance, walking up the beach, accompanied by two other young women. He hastily
puts on his shirt and tucks it in. He stares out at the sea as if in deep contemplation, remembering that when they were children, Aymee was very smart. After several minutes of trying to appear intelligent, he turns his head and sees that Aymee and her companions have left the beach.
Returning to where he left his motorbike chained to a bike stand by the boardwalk, he finds the words "no olvides" spray painted on the bike seat in bright red. He wonders, Don't forget what?
He looks around for signs of Diego and his crew spying on him, waiting, but the boardwalk is mostly crowded with couples walking hand-in-hand or other loners like himself standing about, aimlessly searching for something. Something real, but elusive.
The drive through the city is slowed by a sudden downpour. The large potholes in the streets quickly fill with rain water, forming small pools. The drainage system has quickly baked up, creating overflow from the sewers that carry garbage and vegetative debris in rapidly flowing streams along each sides of the streets. he is soaked by the time he reaches home. At the front door, he removes his shoes, empties the sand from them, and along with his sopping wet shirt, leaves them on the ground, next to the welcome mat. Inside, it's quiet. he goes into the bathroom, removes his clothes and drys off.
In his bedroom, he puts on his best shirt, pants, and shoes. He goes into Adoncia's room, steals money she keeps in her jewelry box that she thinks she has hidden from him, and then calls for a taxi. Twenty minutes later, he gets in the back seat. "El Casa De La Danza," he tells the driver.
The ride to the dance hall is much faster than when he rides his motorbike. He feels slightly guilty for taking some of his sister's money, but his pay as a public servant mopping the floors of government buildings doesn't allow him the luxury of taking taxis and she'll only be angry for a short while when she discovers the theft. She can be mean, but forgiving. At the Casa de La Danza he pays the driver, who grumbles about not getting a tip, and dashes to the entrance attempting to keep from getting wet.
The rain has diminished, but not by much.
Just inside the doors, he stops at the ticket booth and hands money to Hernando.
"You going to dance tonight?" Hernando says. He hands Mateo the ticket to get in.
"I never dance," Mateo says, taking the ticket and stuffing it in his pocket.
"Why do you come here, then?"
"I dream of being able to dance."
In the ballroom, he stops and looks at posters propped up on easels. "Concurso de tango Cuban esta noche," is written in bold gold lettering accompanied by photos of couples dancing the Cuban tango and one couple holding a large trophy.
he finds his usual place near a wall just inside the ballroom, near where the young women waiting to be asked to dance, sit. He sticks a toothpick in his mouth, leans back, and props one foot against the wall. The moist air from outside has given the ballroom the sensation of being in a hothouse. As he watches the girls fan themselves, he unbuttons his shirt to mid-chest, revealing the beads of sweat on the cleavage of his well-developed pectoral muscles. he has seen them all before, and they have seen him. There is a mutual, unspoken, bond of indifference between him and them.
The mirrored ball that hangs in the middle of the ballroom ceiling turns slowly, casting small squares of reflected light onto the dance floor and the dancers. The circle of fragmented light cast about the room is mesmerizing, hypnotic, despite Mateo's attempt to ignore it. Amidst the dancers caught in the glittering light, Diego is dancing with Aymee. Mateo's rage boils up from the core of his being; rage towards Diego, Aymee and Cuba. He retrieves his ticket from his pocket, crumbles it in his hand, and throws it on the floor. Hastily departing the Casa De La Danza, he runs into his best friend, Jose, who has just bought a ticket.
"Hey man, I just heard the news," Jose says.
"You don't know?" Jose says, surprised. "Your abuela has died."
"I think it was a sign," Mateo says. "I hadn't seen Aymee in a very long time and then I saw her three times in less than twenty-four hours. Three is a lucky number, no?"
Adoncia slowly shakes her head. "When will you return?"
Mateo shoves the last shirt into his duffel bag and closes it. "I must first get away," he says.
"Diego has made it clear he intends to kill me if I try to leave without him."
"Like it or not, he is our older brother," she says.
"He never came around except to get money from Abuelita and then he doesn't show up at her funeral."
Adoncia presses a small wad of pesos in his hand. "When does the boat leave Havana?"
"At nightfall." He lifts the bag from his bed and places it on his shoulder. He looks at his sister who has tears welling in her eyes. "I will send for you when I'm settled." He leaves the apartment,
glances at his motorbike set free of its chains, and waits for a taxi.
Steve Carr, from Richmond, Virginia, has had over 500 short stories published internationally in print and online magazines, literary journals, reviews and anthologies, since June, 2016. He has had seven collections of his short stories published. His paranormal/horror novel, 'Redbird', was released in November, 2019. He has been nominated for a Pushcart Prize, twice. His Twitter is @carrsteven960
His website is listed below:
You can contact Steve, via email at:
ILA Magazine's Editor-in-Chief, ZAKIR MALIK, and recent author of his second book, 'Sail of Memories', (also featured on our "BOOK PUBLICATIONS" page, as well as Editors' Bio), is avidly enthusiastic about poetry and other condensed, precision-based technical writings. He is a freelance writer, columnist, Editor, Social Activist and an independent journalist, managing different various pages on Social Media. He frequently performs live videos of interviews with authors and poets, with discussions of poetry, the concepts of writing, what influences the writers, and the importance of anthologies as well as ethical concerns.
An Interview with Hareem Fatima (CEO of Litlight Publications) on the importance of
anthologies, basic characteristics and relevant ethical concerns.
And for more viewing:
Author, Editor-in-Chief, ZAKIR MALIK
GIANFRANCO AURILIO has published many collections of poems and drawings, and now delves into the world of YouTube with beautiful, heart-touching poetry, which he recites, himself. He hails from Rome, one of the most romantic cities of the world, and his poetry has been published in both national and international anthologies as well as his own books.
Gianfranco has kindly granted permission to post his opening poem of his newest collection. He has also given ILA Magazine permission to publish his YouTube video of same poem, "Do Not Look for Love."
DO NOT LOOK FOR LOVE
Do not look for love,
and it can't see your tears,
it sees only what it likes,
it can't hear your sighs,
it hears only what it likes,
it does only what it says
because it's bold and fearless.
Do not look for love,
wait for it to come to you
you will know
because you'll be like it,
February 20, 2020
From the collection "My Love" © 2021 Gianfranco Aurilio
Author and Narrator, GIANFRANCO AURILIO
Gianfranco's YouTube Video: "Do Not Look For Love"
AUTHOR HAROON RASHID
What is Hindu, Muslim, Buddhist,
Jewish, Sikh or Christian?
What is American, African, Chinese,
Spanish, Arab or Indian?
Can't we see we are a creation
of God in the form of human;
Why is there so much disparity?
Where is the professed unity?
For what are the fights in reality?
Why is there so much brutality?
It's worse than any calamity
We are left with just insanity
Where has been lost, the humanity?
Is corona not enough reason to unite
or will we still continue wars and fight
of rich and poor or black and white
or region and religion or man and woman.
Perhaps why no fight for being a human?
In you, I see a spark, ignite and will will unite
Why to remain in dark, hold my hand, come in light
Oh my beautiful human, speak your verse
and hear the oneness of this universe
Feel your rhythm, your heart and your soul
restoring humanity is our beautiful goal.
© Haroon Rashid 2021
Author of recently published book, 'Author Haroon Rashid Quotes'.
Author Haroon Rashid is a writer, hailing from beautiful Jammu and Kashmir, India, (also known as 'Heaven on Earth.') And the author of :
'We Fell Asleep in One World and Woke Up in Another.'
'We Fell Asleep in One World and Woke Up in Another' became the fastest, most popular poem, reaching readership all across the globe, and has been translated into 148 languages. Many people, including celebrities, have shared his poem on social media platforms and fundraising events, making him globally renowned with an unusual success story.
Among his world-famous writings are: 'Suicide Poem', 'Come Back from the Heaven', 'Skin', 'Will Meet Again', 'Human Trafficking', 'Humanity Poem', 'Faith', 'Mother', 'Spiritual Love', 'The World', 'Media', 'Human in Uniform', 'Get Up', 'Kashmir', 'Meet a Person', along with endless quotes. He has a book titled, 'Author Haroon Rashid Quotes', available on Amazon.
Author Haroon Rashid has been interviewed and featured on various websites, journals, magazines, religious online blogs, Art pages, newspapers and publishing websites.
Every writer is different, but he is one of those who can touch souls with even the simplest expression of words.
In Haroon Rashid's earlier days he was much into sketching and drawings, along with a mix of his playful and fun-loving nature, maintaining a good brain in his studies and academics as well. Since the beginning, he has been drawn toward fine arts. He took an interest in painting, music and dancing, during his school life.
After school, he pursued his higher education, completing a Bachelor's degree in Commerce and Double Post Graduation in English Literature and Public Administration, including the aforementioned, he also took an interest in Science, Psychology, Anthropology, Sociology, Geography, History and other fields of study. His graduation was a life-turning experience for him. He began gaining interest in writing as his art was mixed with worldly affairs and eventually his writings spoke to his heart at global levels, making him a renowned writer, par excellence.
He is currently working on International Projects while spreading his aura and glory with the magic of his words, and shall continue until he takes his last breath.
He may be contacted via email at:
Uzair Mehr hails from Pakistan, and is a Computer Science (IT) Student and technology geek. He is an enthusiastic blogger, an avid reader, a passionate writer and translator with an insatiable thirst for Arabic, Balochi, English, Persian and Urdu Literature, alike. In his free time, he loves to read books, watch movies, hang out with his friends, and immerse himself in the world of nature. He has an infinite number of future works around the corner, who truly puts in great effort, his accomplishments, motivation and great ethics into his blog, Mehr Insights. Uzair Mehr also proofreads and edits his work, himself. He has recently created his own YouTube Channel where he shares and chants his favorite and most cherished songs, fused with his thoughts and emotions with a positive effect through cartharsis. Please take a look at his YouTube Channel and Blog, when you have a chance, both are truly remarkable.
You may contact Uzair Mehr at: firstname.lastname@example.org
Uzair Mehr's YouTube, 'Mehr Chants', where you can hear his beautiful voice sing soulful chants:
MEHR INSIGHTS HOME PAGE
Diamantine Advice, Part One
POET, ARTIST and DR.AMITABH MITRA
Acrylic Impasto 1.1 Painting by Amitabh Mitra
'Coast' - Painting by Amitabh Mitra
Acrylic on Canvas 2 Painting by Amitabh Mitra
Free State 1 - Painting by Amitabh Mitra
Sandy Dunes 002.1 - Painting by Amitabh Mitra
Huzrat Kothi - Painting by Amitabh Mitra
Acrylic on Paper Using a Palette - Painting by Amitabh Mitra
Wild Coast Cintsa 3 - Painting by Amitabh Mitra
A charcoal portrait (above) of Cecilia Makiwane © November 7, 2016, sketched by Dr. Amitabh Mitra, is of the first black registered nurse in apartheid South Africa. Amitabh's portrait is on permanent display at Cape Town by the University of Cape Town.
Dr. Amitabh Mitra is a trauma surgeon at Cecilia Makiwane Hospital in Mdantsane, Eastern Cape.
You can read more about Cecilia Makiwane Hospital and view Dr. Mitra's portrait on the Wikipedia website at:
A charcoal portrait, sketched by Dr. Amitabh Mitra, © December 8, 2014, of Dr. Neil Aggett, the first white doctor tortured and killed by the apartheid regime can also be viewed on Wikipedia. The inquest is still continuing. His charcoal portrait was presented to alma mater, The Kingswood College, for the museum.
You can read more about Dr. Neil Aggett and view Dr. Amitabh Mitra's portrait on the Wikipedia website at:
Moosa Moolla (born in 1934), is an Indian South African Anti-apartheid activist, leader and diplomat.
The charcoal portrait (above) was sketched by Dr. Amitabh Mitra © July 25, 2019.
You can read more about Moosa Moolla and view Dr. Amitabh Mitra's portrait on
the Wikipedia website at:
Charcoal Portrait on Paper, of Ahmed Timol by Dr. Amitabh Mitra © July 30, 2019.
Ahmed Timol was a teacher, known for anti-apartheid activism. You can read more about him and view Dr. Amitabh Mitra's portrait on the Wikipedia website at:
Amitabh Mitra Bio
Amitabh Mitra is a poet, artist, publisher and a medical doctor. A widely published poet
in the web and print, Amitabh has held many exhibitions of his poetry art.
'A Slow Train to Gwalior' is a CD of his ten most popular love poems recited against a background of Indian and African traditional music. A documentary film incorporating his love poems is being produced in South Africa. His website below:
ARTIST and POET, ELAINE YANNI FINK
A symphony of color
an interlude of sound
an assembly of rainbow light
A combination of vision
wondrous to behold
charming to my senses
I am enchanting beyond pleasure.
My perception overlapping
into fields beyond my reason
senses perceived, reorganized
altered in a bliss of recognition
I am transported into dimensions.
Overwhelmed with joy
I am refashioned beyond the norm
one for all
to last unto Infinity.
© Elaine Yanni Fink
Artesia Pencil Drawing 9 x 12 - by Elaine Yanni Fink
'Purple Haze' Pencil Drawing by Elaine Yanni Fink
Mixed Media Painting by Elaine Yanni Fink
Elaine Yanni Fink was born in the Bronx, New York. It was both metropolitan and a quiet neighborhood. She lived across the street from St. Theresa's Church. Beautiful churches always have been the inspiration for her art. It was
adorned with paintings, sculptures and statues. Adjacent to the Church was the rose garden. Both were her playground.
Art saturated her world, always as an artist and an avid reader.
An intuitive from an early age, it was during a tumultuous time, she began to write. Elaine would draw or paint
as a way to center herself, her quiet time, serene. Unexpectedly, she began to write as she would draw or paint and
the words just flowed. Her combined art and poetry has a healing effect that goes beyond her capacity to understand.
Elaine shares on Facebook to help heal others in need. 'I was in 5th Grade when Sister Jeanine read Poe to the class.'
The church and the library became Elaine's sacred places, the rest is a miracle. She was mentored by esteemed poets.
She is called a 'poetess' and placed on groups, an elegant surprise, and she is grateful to so many artists and poets.
" We are all endowed with gifts from our Creator. Recognizing the potential of each individual, believing in the Spirit
that permeates all is everything. I truly believe we are all here to heal this Earth collectively. It begins in healing ourselves. Wonderful!"
Elaine Yanni Fink
ARTIST SOMA BHOWMIK